https://www.lwltv.com/subjects/435869933155450879 Clothes of Deception initiated Yoshimura’s most characteristic vein. This geisha story is often described as a loose remake of Mizoguchi’s pre-war masterpiece Sisters of Gion (1936), but this is inexact. Whereas in Mizoguchi’s study of two sisters, both women had been geisha, in Yoshimura’s film only Kimicho (Kyo Machiko) is, while her sister works in the Kyoto tourist office. Juxtaposing a traditional Kyoto profession with a modern one, Yoshimura shows how life in the old capital was changing in the wake of wider transformations in Japanese society. https://www.lwltv.com/subjects/435869933155450879 https://img.lwltv.com/sDZjGnV-F7b-1L3sW1gdyUtXr58=/144x0/images/prmXIZHVEotzJ1RBvXlIjSC7v8W.jpg 144 zh-cn Sat, 12 Nov 2022 00:58:08 +0800 Sat, 12 Nov 2022 00:58:08 +0800 180 LWLTV RSS Generator 1.0 https://www.lwltv.com/subtitles/440334018848817151 Sat, 12 Nov 2022 00:58:08 +0800 MOVIE MOVIE https://www.lwltv.com/subtitles/440334018848817151 22584 符号修正、时间轴调整：LCH
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